When a dogwood tree in my yard died, I decided to cut it down. It was 7 to 8 inches in diameter at the widest and against the advice of a very respected luthier that lives near me, I decided to try to make an instrument out of the wood. After all the time and effort in this project, I can see why he recommended using the wood for clocks or other decorative wood projects. The wood was full of worm holes and stress cracks, but I was able to find four 3.5 to 4 inch pieces for the top and back, some 2.5 to 3 inch pieces for sides, and a solid piece for the fretboard.
I used my 10 inch table saw and bandsaw to cut the boards out of the trunk. It was a struggle to get anything square, so I had to make up for the lack of squareness with more time on the belt sander. Somewhere I read that dogwood was much harder than even oak and it has been used as a hammer for hammering on wood shingles. It wasn't unusual to see smoke coming off of the drill bits when trying to drill holes. The wood was a bit much for my table saw but my bandsaw did okay. Sanding with a belt sander took a long time. I'm not very good at carving, but I have performed some simple cuts with walnut in the past. My carving on dogwood was very much more difficult than walnut (head, tail block, bridge, and nut areas).
I decided on a diamond shape since I already have an hourglass dulcimer, two tear drop dulcimers, and a box dulcimer. Getting the angles right proved to be very difficult. Also, during construction my original design changed many times because of available wood. I wanted the instrument to be very deep but could not find a head and tail block that was big enough for the sides, so the sides got smaller. If I ruined a piece of wood, I probably would not be able to find another in the tree trunk, so I made do with the available pieces. One of the pieces for the back was cracking around a knot and I patched it to keep it together. All of the pieces for top, back, and sides are thicker than ideal, but I was struggling to sand the wood to even thickness with a 2 inch hand held belt sander. The fretboard was a solid piece of wood that I hollowed out with a router. The hollow of the fretboard is open to the sound box for the entire length of the top.
I'm still working on finalizing the bridge design. My goal was to have a dulcimer that could be tuned to lower tunings for Phrygian, Dorian, and Ionian mode songs. I have a temporary brass bridge on it and it is set at an angle to compensate for the .032 bronze wound bass string and the .016 middle and melody strings. I need to come up with something that allows the middle and melody strings to be the same VSL if I'm going to continue with .016 strings. The pitch for the melody and bass strings is good according to my tuner at most of the frets with the angled brass bridge, so the unwound strings will need to land at the bottom of the bridge hollow area and the bass will need to land at the top in the finished design.
I haven't rubbed out the last coat of lacquer yet, but I strung it up with the brass bridge and started checking what I can get for good tunings. I think it will be okay with CGEb (Phrygian), CGF (Dorian), and CGG (Ionian) tunings. I have been working on CGF. It sounds best with a noter (also made of dogwood). The noter seems to give it an echo or other side tone I am still trying to analyze. The eighth fret has another special sound (bell tone?) at times along with the echo. I might do some chord-melody style with CGG tuning, but some initial testing showed that I was having trouble fretting the heavier strings. Also, it doesn't create as much sound fretting with fingers compared to fretting with a noter. I will probably use a noter most of the time with this dulcimer.
So, attached are a couple of pictures and I uploaded many more in an album on my home page here. Also attached is a sound clip I recorded with Audacity this morning. The sound clip was recorded with three separate tracks. I recorded the first track and listened on headphones while playing each of the next two tracks.
Thanks
Dave


