folkfan wrote:Personally I think the placement of the bridge in relationship to the tail piece has more of an effect on the sound than the shape does.
Well we'll be able to test that one out in practice when the new McSpadden 26" VSL hits the streets. It is on the same body as the 28" but the bridge and zero fret are moved a little in-board.
The teardrop dulcimers I have played have tended to be a little more silvery and nasal as Strumelia said - and I think this was due to the reduced body volume over the hourglass models from the same builder. The exception to this was an old Folk Roots I played that was very "guitar" like, but the body on that was so big you could have cut a hole in the top and paddled it down a river
I wouldn't want to take Ken's $100 bill test - unless the instruments were the same woods from the same stable (eg McSpadden hourglass v teardrop).
What do you call one that's a kind of pointy oval, widest in the middle and fretboard-width at both ends? Ours are that way. Someday I'd like an hourglass if I have to gnaw it myself.
I've heard that refered to as "boat" shape.