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Notes on traditional styles of playing the mountain dulcimer and its European antecedents before the Folk Revival, and what 21st-century players can learn from old techniques and new media technology
Sooner or later, anybody who plays the Appalachian dulcimer has the dulcimer conversation. [1] I usually have it at Lincoln's New Salem State Historic Site in Illinois, when visitors see me sitting on the porch of a country store going plinkety-twang on a musical instrument like nothing they've never seen before.
“What's that,” they ask.
“A dulcimer,” I tell ’em, even though I know what's probably coming next.
“Oh,” they say. “A dulcimer. What's that?”